![]() And at 9.99 Euros, I’m not only aesthetically pleased, my wallet is smiling as well. And since I grew up playing accordions, and then spent my adolescence immersed in the world of electronics, I’m pretty hard to please if there is going to be a combination instrument – well, I am pleased. The beautiful sampled timbres of the Titano, and the electronic music capabilities of the apeSoft line combine to make an inspiring instrument. The hybrid of these two vocabularies makes an instrument that is much more powerful than either instrument on its own. In addition, Alessandro Petrolati has added a whole library of digital capabilities from his apeSoft line of synthesizers and sound processors. Principi has a company, which specializes in sampled accordions (and a new vintage electric piano, available for both computer and iOS instruments), and Vintage Accordion for iOS uses the same sample set – of a vintage 1960s Titano Accordion from Castelfiardo, Italy – used by their computer sampled accordion product. Finally, late last year, Alessandro Petrolati, of apeSoft, and Paolo Principi, of Psound, brought out Accordion Vintage, and my accordion dreams were fulfilled. When I moved to the world of the iPad, sampled accordions and reed organs were high on my list of interest. So the desire to explore the free reed (the basis of the sound-making of the accordion, as well as the harmonica, sho, reed organ, khene, and many other similar instruments) was there. Years later, I was studying electronic music performance with Pauline Oliveros, who had also started out playing accordion and continued her explorations on the synthesizer, and she showed me how the accordion could produce a whole family of beating timbres. This prepared me, many years later, for work with synthesizers, which occupied a very similar basic timbral world to the accordion. Additionally, the timbre of the accordion seemed to imprint itself into my musical imagination, so that my idea of a normal musical tone was not a piano, or a guitar, but an accordion. This slightly smaller size enabled me, when I grew up, to play wider interval stretches, which gave me additional abilities when I got involved in free improvisation. Eventually, we both graduated to 120-bass Giulietti accordions, mine a bit smaller than his. Very shortly thereafter, they stopped playing accordion, but I kept at it, and within six months, my father began playing the accordion as well. I saw my cousins playing the accordion and I was hooked. Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.I started out (at the age of 6) playing the accordion. A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. In the spirit of positioning your case goods center stage, decluttering can now be design-minded. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The drawers served as perfect utensil storage. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers - a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time.Īlthough the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space - and, in particular, walls - in new and innovative ways. ![]() Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson and Finn Juhl. In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” - any furnishing that is unupholstered and has some semblance of a storage component - to blend into the background of any interior. Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items.
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